This section contains 10,069 words (approx. 34 pages at 300 words per page) |
SOURCE: Buchanan, Judith. “Virgin and Ape, Venetian and Infidel: Labellings of Otherness in Oliver Parker's Othello.” In Shakespeare, Film, Fin de Siècle, edited by Mark Thornton Burnett and Ramona Wray, pp. 179-202. Houndmills, Basingstoke, Hampshire: Macmillan Press, 2000.
In the following review, Buchanan considers Othello's cultural placement and the depictions of otherness in Oliver Parker's 1995 film version of Othello, starring Laurence Fishburne in the title role. Buchanan studies the way the film manipulates the subjective gaze and contends that the film encourages the voyeuristic viewing of Othello's own self-observations.
In February 1998, Kofi Anan, the Secretary General of the United Nations, arrived in Iraq to confront the threat posed by Saddam Hussein. Of all the things that were crucially relevant to Anan's high-profile embassy, colour was certainly not one of them. And yet, in the context of a world order which, in other respects, is anything but consistently equitable...
This section contains 10,069 words (approx. 34 pages at 300 words per page) |