This section contains 4,620 words (approx. 16 pages at 300 words per page) |
SOURCE: “Othello: Women and ‘Woman’,” in Atlantis, Vol. 9, No. 2, Spring, 1984, pp. 1-8.
In the essay below, Sturrock examines Shakespeare's attack on anti-feminist propaganda, arguing that in Othello Shakespeare urges the audience to recognize the worth of the individual.
It hath ever beene a common custome amongst Idle, and humerous Poets, Pamphleters, and Rimers, out of passionate discontents, or having little otherwise to imploy themselves about, to write some bitter Satire-Pamphlet, or Rime against women: in which argument he who could devise anything more bitterly, or spitefully, against our sexe hath never wanted the liking, allowance and applause of giddy-headed people.1
Women in Shakespeare's England, as in the England of the Wife of Bath and Janekin, were among the easiest and commonest targets of satire. According to Louis B. Wright in his Middle Class Culture in Elizabethan England, the increasingly active role of women during this period “aroused the...
This section contains 4,620 words (approx. 16 pages at 300 words per page) |