Malgudi Days | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of Malgudi Days.
This section contains 626 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Robert Towers

While changes on the macrocosmic scale in India have been tumultuous since R. K. Narayan's first novel, Swami and Friends, appeared in 1935, the imaginary South Indian town of Malgudi—the microcosm of his fiction—has undergone little transformation….

The new stories in Malgudi Days confirm the impression that Narayan's mild and delicate craft has changed over the decades almost as little as Malgudi itself. Early in his career he found—and quickly perfected—a narrative mode that has remained untouched by all that we think of as modernism. Nowhere in his fiction do we encounter the dissonance, the structural disjunctions, the obscurity, or multilevel wordplay—indeed any of the radical techniques—by which the great writers of this century have jolted the reader from his sense of literary security.

Narayan's mode is that of a shrewd and ironic teller-of-tales whose aim is to beguile his listeners, to share...

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This section contains 626 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Robert Towers
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Critical Essay by Robert Towers from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.