This section contains 10,392 words (approx. 35 pages at 300 words per page) |
SOURCE: Fishburn, Katherine. “Wor(l)ds within Words: Doris Lessing as Meta-Fictionist and Meta-Physician.” Studies in the Novel 20, no. 2 (summer 1988): 186-205.
In the following essay, Fishburn identifies and discusses the work of Doris Lessing as a metafictional writer.
—A book which does not contain its counterbook is considered incomplete.
—Jorge Luis Borges
Although Doris Lessing is probably best known as the author of The Golden Notebook, I think it is safe to say that most critics would not characterize the bulk of her fiction as formally experimental or even up-to-date. In fact, with the possible exception of Canopus in Argos, they would probably consign her fiction to the venerable but old-fashioned school of expressive realism. Widespread as this perception of Lessing has been, I would argue that it has had the unforeseen consequence of deflecting critical attention away from those very qualities of her fiction that serve to...
This section contains 10,392 words (approx. 35 pages at 300 words per page) |