Highly original in its approach and a beautiful object in its own right, [The Shorebirds of North America] devotes itself to its subject, not only with unstinting effort, but also with a refined extravagance recalling the great tradition of the 19th-century luxury works on birds—the Goulds, Audubons, Elliots, and others….

Peter Matthiessen's general text takes the form of a prolonged essay, which has already appeared, with unsubstantial differences, in The New Yorker. Mr. Matthiessen is a writer of considerable experience and at his best produces a flowing, poetic style somewhat suggestive of Daphne DuMaurier. He devotes himself to the shorebirds—everything about shorebirds—with unflagging enthusiasm remarkable for its sustained pitch. It is possible, perhaps even probable, that many readers, swept along in this flow, will therefore follow him into areas they would never normally enter, and will acquire, in the process, not only a good deal...