This section contains 337 words (approx. 2 pages at 300 words per page) |
SOURCE: Rosenberg, David A. Review of Macbeth. Back Stage 44, no. 3 (17 January 2003): 48.
In the following review, Rosenberg maintains that Yukio Ninagawa's production of Macbeth was a gripping and intelligently crafted interpretation of Shakespeare's play.
Scottish play, my eye! The Macbeth that the Ninagawa Company presented at the Brooklyn Academy of Music was a fierce, exciting, harsh, and impassioned samurai drama set in a hall of mirrors that reflected not only the actors, but also the audience. As directed by Yukio Ninagawa, Shakespeare's tragedy became the story of a young couple who find themselves steeped way over their heads in blood.
This is the ultimate power duo, thrust into a chaotic world before experience can teach them how to handle their lives. As with any great work of art, the play opens up new meanings every time it's performed. Here the implication was that Macbeth is a callow, irresponsible youth...
This section contains 337 words (approx. 2 pages at 300 words per page) |