[On the one hand, Lester's film A Funny Thing Happened on the Way to the Forum has] the framework of [Bert] Shevelove and [Larry] Gelbart's Broadway hit, its slow fuse Jewish-American humour, its carefully set up jokes about dithering middle-aged men and bullying wives let loose in Brooklyn-on-Tiber. This humour takes time: above all, time for the actors to build contact with the audience. On the other hand, there is Richard Lester's style, glancing, cool, nerveless, and dependent on perpetual motion. Lester seems to circle the comedy, jabbing, weaving, feinting, hardly landing a solid punch.

What works with the Beatles, in fact, won't do when the actors are a generation older, and physically more resistant to the whole idea of being stood on their heads…. Style, as the film progresses, becomes more and more like conscientiously strenuous decoration, an effort to manufacture exuberance. Why take a shot upside-down...