Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb.
This section contains 400 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Robert Brustein

Dr. Strangelove possesses a great many distinctions as a work of the imagination, but I should like to cite it, first and foremost, for valor: I think it may well be the most courageous movie ever made. It is certainly one of the funniest…. [There] is something extraordinarily liberating in the nature of the movie itself. It is the kind of total theater that Antonin Artaud would have admired, with its dark humor, its physical and anarchic dissociation. Dr. Strangelove is a plague experienced in the nerves and the funny bone—a delirium, a conflagration, a social disaster.

What Stanley Kubrick has done is to break completely with all existing traditions of moviemaking, both foreign and domestic. While the European art film seems to be inexorably closing in on the spiritual lassitude of certain melancholy French or Italian aristocrats, Dr. Strangelove invests the film medium with a new...

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This section contains 400 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Robert Brustein
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Critical Essay by Robert Brustein from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.