Donald Justice | Criticism

This literature criticism consists of approximately 10 pages of analysis & critique of Donald Justice.

Donald Justice | Criticism

This literature criticism consists of approximately 10 pages of analysis & critique of Donald Justice.
This section contains 2,372 words
(approx. 8 pages at 300 words per page)
Buy the Critical Essay by Mary Gosselink De Jong

SOURCE: "'Musical Possibilities': Music, Memory, and Composition in the Poetry of Donald Justice," in Concerning Poetry, Vol. 18, Nos. 1-2, 1985, pp. 57-66.

In the essay below, De Jong discusses the significance of music to Justice's poetry, noting his use of rhyme, assonance, consonance, and repetition and the way in which music has served as subject or allegory in his poems.

For centuries authors, composers, and critics have been exploring the parallels between the "sister arts" of music and literature. As Calvin S. Brown dryly observes, the study of musico-literary correspondences holds "a fatal attraction for the dilettante, the faddist and the crackpot." To suggest, then, that Pulitzer-Prize-winning poet Donald Justice has been influenced by music is to incur a certain risk. Being called a faddist or a dilettante would fracture no bones, only pride, and an academic becomes accustomed to being thought a crackpot, by students if not by...

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This section contains 2,372 words
(approx. 8 pages at 300 words per page)
Buy the Critical Essay by Mary Gosselink De Jong
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Critical Essay by Mary Gosselink De Jong from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.