SOURCE: “Borges and Girondo: Who Led the Vanguardia?” in The Poetic Avant-Garde: The Groups of Borges, Auden, and Breton, Northwestern University Press, 1997, pp. 71–97.

In the following excerpt, Strong contrasts the relationship of Borges and his fellow Argentine writer Oliviero Girondo to the Spanish modernist movement known as Ultraísmo.

Borges and Girondo: Who Led the Vanguardia?

In the 1920s, the Argentine vanguardia valued Borges's lyric poems more highly than Girondo's prose poems. Aside from their mutual commitment to the use of metaphor and to a couple of new literary journals, the two poets had little in common. In important ways Borges was as conservative and traditional as Girondo was radical and avant-garde. That Borges's early work was at that time more highly valued than Girondo's is partly because of the literary establishment's conservatism and the vanguardia's unwillingness to risk upsetting that establishment. Where Girondo was critical of the...