Miss Johnson is distinguishable from the many intelligent novelists of the day by the fact that she is not in the least afraid of people who are ordinary and good. Most writers would run a mile to avoid such people as material for fiction, partly for fashionable reasons (someone might murmur "Priestley," and then where would they be?), but principally because the virtuous are so very difficult to do well. But characters of simple goodness, when realised in fiction without either insipidity or sentimentality, are encountered by the reader with a delight that is quite unforgettable. What a pleasure it is to think of Trollope's Mr. Harding, or of Peter Schulz, the old Professor of Music in Romain Rolland's Jean Christophe. Miss Johnson attempts nothing on that level, but her new book [World's End] shows that she is sensitive to the quality of natural goodness and can present...