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SOURCE: Klawans, Stuart. Review of Lone Star, by John Sayles. Nation 263, no. 4 (29 July-5 August 1996): 34-6.
In the following review, Klawans criticizes the storytelling technique in Lone Star, suggesting that Sayles is more interested in defying narrative conventions than in telling a good story.
My editors disagree completely with the following remarks. Nevertheless: I think John Sayles gave away his game a couple of years ago in Passion Fish, his movie about a soap-opera star who is paralyzed in an accident—the sort of event she's been confronting five days a week on TV, and which she now faces in “real life.” The suppression of quotation marks, I think, is the game. “You know the boundaries of fiction,” Sayles seemed to say. “Now see how I break them down, to let in life itself.”
In other films, too, Sayles has announced his triumph over narrative conventions: the self-dramatizing lore...
This section contains 1,453 words (approx. 5 pages at 300 words per page) |