SOURCE: Baker, David Erskine. Biographia Dramatica; Or, A Companion to the Playhouse Containing Historical and Critical Memoirs and Original Anecdotes of British and Irish Dramatic Writers, Vols. II and III, pp. 391-92 and p. 340. London: Longman, Hurst, Rees, Orme, and Brown, 1812.

In the following essay, originally published in 1764, Baker comments on Ford's The Lover's Melancholy and 'Tis Pity She's a Whore, noting that the former was warmly received when first acted while the subject matter of the latter is simply too shocking for audiences.

[The Lover's Melancholy] is highly commended in four copies of verses by friends of the author; and he has himself greatly embellished it by an apt introduction of several fancies from other writers, particularly the story of the contention between the musician and the nightingale, from Strada's Prolusions, and the description and definition of melancholy, from Burton's Anatomy of Melancholy. This play was acted...