Ol' Waylon | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Ol' Waylon.

Ol' Waylon | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Ol' Waylon.
This section contains 244 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Robin Grayden

For several years or so Waylon Jennings has been spearheading the so-called Nashville "rebel" movement, and, along with such artists as Willie Nelson and Tompall Glaser, has kicked all the old country music traditions out of the back door and opted for a "new wave" stance, combining country music with rock.

But ol' Waylon is in danger of falling between two stools. Strictly speaking, ["Ol' Waylon"] is not an album by a country singer. It's aimed at the rock audience, and yet I can't really see it appealing to that market either….

The album has a concept of sorts—the theme, as expressed by the ["Luckenbach, Texas (Back to the Basics of Love)"] track, is getting back to the basics, to the simple ways. Laudable sentiments, but the majority of tracks are not strong enough to retain attention for this message to be conveyed. Generally, the album lacks...

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This section contains 244 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Robin Grayden
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Critical Essay by Robin Grayden from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.