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SOURCE: Pizzato, Mark. “Genet's Violent, Subjective Split into the Theatre of Lacan's Three Orders.” Journal of Dramatic Theory and Criticism 5, no. 1 (fall 1990): 115-30.
In the following essay, Pizzato provides a Lacanian psychoanalytic reading of Genet's works, focusing on Genet's creation of a self in both his life and works.
In his brief book on Proust, Samuel Beckett states:
The laws of memory are subject to the more general laws of habit. Habit is a compromise effected between the individual and his environment, or between the individual and his own organic eccentricities, the guarantee of a dull inviolability, the lightning conductor of his existence. Habit is the ballast that chains the dog to his vomit.
(7-8)
But in Proustian fictional memory, according to Beckett, there are breaks in the rule of Habit, “when for a moment the boredom of living is replaced by the suffering of being” (8). And in...
This section contains 7,249 words (approx. 25 pages at 300 words per page) |
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