This section contains 13,338 words (approx. 45 pages at 300 words per page) |
SOURCE: Roos, Bonnie. “James Joyce's ‘The Dead’ and Bret Harte's Gabriel Conroy: The Nature of the Feast.” The Yale Journal of Criticism 15, no. 1 (spring 2002): 99-126.
In the following essay, Roos traces the influences of American writer Bret Harte's novel Gabriel Conroy on Joyce's story, “The Dead.”
I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food, whether stewed, roasted, baked, or boiled; and I make no doubt that it will equally serve in a fricassee or a ragout.
—Jonathan Swift, “A Modest Proposal,” 1729
“Ireland is the old sow that eats her farrow.”
—James Joyce, A Portrait of the Artist as a Young Man, 1914
Toward the end of James Joyce's “The Dead” (1907), Gabriel Conroy's wife Gretta cries herself to sleep after telling her husband about Michael...
This section contains 13,338 words (approx. 45 pages at 300 words per page) |