This section contains 2,347 words (approx. 8 pages at 300 words per page) |
SOURCE: "Dead Rocks and Sleeping Men: Aurality in the Aesthetic of Langston Hughes," in The Langston Hughes Review, Vol. 11, No. 1, 1992, pp. 1-5.
In the following essay, Beavers argues that Hughes's role was to amplify the voice of African Americans.
In his 1940 autobiography, The Big Sea, Langston Hughes discusses the circumstances that lead him, at the puerile age of 19, to the creation of his poem, "The Negro Speaks of Rivers." The poem came into being during a trip to Mexico, Hughes writes, "when [he] was feeling very bad. Thus, he connects poetic inspiration and emotional turbulence, both of which stemmed from his attempt to understand his father's self-hatred. He relates, "All day on the train I had been thinking about my father and his strange dislike of his own people. I didn't understand it because I was a Negro, and I liked Negroes very much." What is striking about...
This section contains 2,347 words (approx. 8 pages at 300 words per page) |