[Werner Herzog's Stroszek] continues one of his favorite themes: craziness in and of our world…. Stroszek is a young man, not quite competent mentally, who is battered by today's Germany and who emigrates to the US with two other battered people—a young whore and a very old man—looking for refuge with the old man's American nephew in Wisconsin.

The picture splits in more than setting. The German half is a broodingly taut, if somewhat trite account of the bullying of the helpless Stroszek by two burly pimps because he has befriended their abused whore. Herzog handles this section easily, taciturnly. But strain runs through the American section. The ease is gone, and what we get is a collection of grotesque souvenirs. As with Wim Wenders' Alice in the Cities, the tourist's notebook is figuratively out, for crudeness and rudeness….

Also, in the American section Herzog relies...