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SOURCE: Steyn, Mark. “Henry Goes to Baghdad.” New Criterion 22, no. 1 (September 2003): 40-4.
In the following review, Steyn discusses both the 2003 National Theatre staging of Henry V directed by Nicholas Hytner and Mark Wing-Davey's 2003 Delacorte Theater staging of Henry V in New York's Central Park. Steyn criticizes both productions, noting that “Nicholas Hytner may be anti-war, but Mark Wing-Davey is anti-Shakespeare.”
Two recent productions of Henry V neatly illustrate the difference between British and American theater. The first, at the Royal National Theatre, has been a hot ticket in London all summer. Staged by the National's new director, Nicholas Hytner, it's played on the company's Olivier stage, named for the most famous Henry of all, whose gallant screen version rallied the home front during the Second World War. Henry V is a play that never drops out of sight but real war always gives it an extra kick. Forty...
This section contains 3,146 words (approx. 11 pages at 300 words per page) |