Two for the Seesaw (film) | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Two for the Seesaw (film).

Two for the Seesaw (film) | Criticism

This literature criticism consists of approximately 1 page of analysis & critique of Two for the Seesaw (film).
This section contains 266 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Brooks Atkinson

Although William Gibson has only two characters in "Two for the Seesaw" he has a tender style of writing and a beautiful little story to tell….

When the curtain goes up, "Two for the Seesaw" looks like a plausible stunt. A man in a shabby room in one corner of New York is telephoning to a girl who lives in a cheap apartment decorated with a dressmaker's form and earnest art objects. In the first scene we seem to be promised one more whirl at the epic theme of two unattached people in New York. This situation has already provided us with a whole library of tasteless, squalid, prurient comedies.

But Mr. Gibson is a genuine writer. No doubt he uses the two-character form cleverly. But it is not long before "Two for the Seesaw" turns out to be a fresh and amusing comedy that is really interested...

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This section contains 266 words
(approx. 1 page at 300 words per page)
Buy the Critical Essay by Brooks Atkinson
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Critical Essay by Brooks Atkinson from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.