This section contains 3,435 words (approx. 12 pages at 300 words per page) |
SOURCE: "The Artist on His Art," in Fellini: The Artist, revised edition, Frederick Ungar Publishing Co. Inc., 1985, pp. 25-34.
Murray is an American film critic, drama critic, and educator. In the following chapter from the enlarged edition of his critical study Fellini: The Artist, originally published in 1976, he discusses visual elements, the concept of neorealism, major themes, and notable stylistic influences in relation to Fellini's career and works.
I have no vocation for theories. I detest the world of labels, the world that confuses the label with the thing labeled.
—Federico Fellini
Fellini does not espouse a theory of film. Indeed, as the quotation above makes clear, he has little respect for what he conceives to be the emasculating operations of the intellect. "I am not a cerebral artist," Eileen Hughes quotes him as saying. Fellini views the technique used in a picture as a rational process (the...
This section contains 3,435 words (approx. 12 pages at 300 words per page) |