This section contains 619 words (approx. 3 pages at 300 words per page) |
SOURCE: A review in Hispania, Vol. 77, No. 3, September, 1994, p. 459.
In the following review, McMurray comments that although he enjoys Tinísima, he finds that the novel is weighted with too much unnecessary information.
Tina Modotti, for whom Tinísima is named, was an Italian photographer who as a young girl immigrated to San Francisco in 1913 with her family. Attracted to California's thriving art community, she briefly pursued an acting career in Hollywood and married a painter whose work took them to Mexico in the early 1920s (he died of smallpox soon after their arrival). Feeling more at home in Mexico than in the United States, Tina soon emerged as a popular figure among Mexican artists and intellectuals. However, her relations with Edward Weston, a successful American photographer, and her interests in left-wing politics would determine the course of her life.
Under the tutelage of Weston, Modotti gradually attained...
This section contains 619 words (approx. 3 pages at 300 words per page) |