True Confessions (film) | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of True Confessions (film).

True Confessions (film) | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of True Confessions (film).
This section contains 644 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Susan Lardner

The very first line [of "True Confessions"]—"None of the merry-go-rounds seem to work anymore"—sets a cheerless scene; that line is spoken at a distance of thirty years or so from the main events and hints at happier times, but there is hardly a wisp of cheer in "True Confessions," not counting a large portion of malicious humor. "This is a work of fiction," Dunne declares in a defiant paragraph of introduction. "The author is aware of the anachronisms and ambiguities in the social and cultural punctuation of this book, as he is aware of distortions of time and geography." The reader, on guard against complaining of trivial inaccuracies, gradually begins to suspect that the work of fiction has been produced mainly for the chance to commemorate a virtual antique of a minority group in its own language. The pre-Pope John American Irish are out of political...

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This section contains 644 words
(approx. 3 pages at 300 words per page)
Buy the Critical Essay by Susan Lardner
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Critical Essay by Susan Lardner from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.