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SOURCE: "Space, Scenery and Action in Dürrenmatt's Plays," in Assaph, Vol. C, No. 3, 1986, pp. 191-206.
In the following essay Yaron discusses how Dürrenmatt's use of specific and detailed stage directions yields an allegorical background for his plays.
When I undertake the writing of a play, the first step which I make clear to myself is where this play is to take place.
—F. Dürrenmatt
The Swiss playwright, Friedrich Dürrenmatt, attaches great significance to the place of action (Handlungsort) in his plays. He deals with this subject in great detail in his essay "Theater Problems", where he also underlines his predilection toward variegated scenery. Indeed, in his stage directions regarding the scenery, Dürrenmatt's love for the colorful setting is distinctly expressed. One manifestation of variegation is the sense of "overflowing", which is shown, for instance, in his detailed demands concerning the scenery of Ein...
This section contains 5,987 words (approx. 20 pages at 300 words per page) |