SOURCE: “Writing and the Problem of Death,” in Poe, Death, and the Life of Writing, Yale University Press, 1987, pp. 1-31.

In the following essay, Kennedy examines the responses to death of various nineteenth-century American writers—including Harriet Beecher Stowe, William Cullen Bryant, Washington Irving, and James Fenimore Cooper—eventually focusing on the role of death in Poe's works.

In the grip of death, Poe's Ligeia asks her husband to recite “certain verses composed by herself not many days before.” Nineteenth-century readers must have anticipated a scene of deathbed intimacy in which the dying woman would through a consolatory rhyme signify her readiness to die. Similar scenes filled contemporary fiction and poetry and—according to memoirs and biographies of the same period—mirrored a pervasive social practice. In Victorian England as well as America, “the deathbed presented the last preserve of truth; it was a final opportunity to repent...