I love Vittorio De Sica's films of his best period, from the end of World War II to 1952, preeminently The Bicycle Thief and Miracle in Milan…. But I don't like The Garden of the Finzi-Continis. It attempts a serious theme and is neither good art nor good show biz. (pp. 95-6)

The subject of the Jews under Mussolini has never been the main matter of a film, as far as I know; it's an interesting idea and I wish the result had been better. The fundamental flaw is the script.

The story is about the love of a middle-class Jewish youth for the Finzi-Contini daughter and her inability to return anything but sisterly love. So the chief motions of the plot are utterly divorced from the theme. There are plenty of peripheral incidents that deal with growing Fascist oppression, but the plot is simply not an engine of...