This section contains 6,648 words (approx. 23 pages at 300 words per page) |
SOURCE: Ledwon, Lenora. “Twin Peaks and the Television Gothic.” Literature Film Quarterly 21, no. 4 (October 1993): 260-70.
In the following essay, Ledwon examines Lynch's use of and innovations on conventional Gothic themes and motifs in Twin Peaks.
I am inhabited by a cry. Nightly it flaps out Looking, with its hooks, for something to love.
Sylvia Plath, “Elm”
The twentieth century has proven congenial to the Gothic. Gothic literature and film attest to the continuing vitality of the genre. Examples of today's popular Gothic include such works as Stephen King's The Shining with its Gothicized haunted hotel, modern Gothic romances and Harlequin clones whose covers feature persecuted maidens in the shadow of gloomy mansions, and horror films as diverse as Psycho, Night of the Living Dead, and the perennial remake of Dracula. However, while many scholars and critics have addressed the use of Gothic elements in literature and film, the...
This section contains 6,648 words (approx. 23 pages at 300 words per page) |