This section contains 2,362 words (approx. 8 pages at 300 words per page) |
SOURCE: Davenport, Randi. “The Knowing Spectator of Twin Peaks: Culture, Feminism, and Family Violence.” Literature Film Quarterly 21, no. 4 (October 1993): 255-59.
In the following essay, Davenport discusses the representations of sexual abuse and violence against women in the television series Twin Peaks, arguing that Lynch's portrayal of family violence reflects a feminist bias.
Twin Peaks is unusual in that it participates in recent public conversations about the effects of child sexual abuse, the victimization of the daughter, and the culpability of the adult male aggressor. I would like to suggest that in its exploration of the behavior of abusive men and the damage suffered by their victims, Twin Peaks is informed by, rather than at odds with, recent feminist discussions about sexual violence. Indeed, the series exposes the regularity with which women find themselves victimized by men.
By sympathetically focusing its audience's attention on the sexual victimization of women...
This section contains 2,362 words (approx. 8 pages at 300 words per page) |