This section contains 7,669 words (approx. 26 pages at 300 words per page) |
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SOURCE: Nochimson, Martha. “Desire under the Douglas Firs: Entering the Body of Reality in Twin Peaks.” Film Quarterly 46, no. 2 (winter 1992-1993): 22-34.
In the following essay, Nochimson discusses the character of Agent Cooper in Twin Peaks, asserting that Cooper represents a new kind of movie and television detective.
The dazzled affection that Dale Cooper, hero of Twin Peaks, inspired in a large television spectatorship can only partly be explained by the appeal of actor Kyle MacLachlan. Nor can it be ascribed merely to the time-tested popularity of the detective figure; on the contrary, Cooper lays waste to a multitude of film and television detective clichés. Since his creators came to the series with distinguished careers in each of the major media, David Lynch and MacLachlan himself in film and Mark Frost in television, some inventive synthesis between the traditions was expected, but Dale Cooper is more than...
This section contains 7,669 words (approx. 26 pages at 300 words per page) |
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