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SOURCE: Schmidt, Cynthia A. “A Satiric Perspective on the Experience of Exile in the Short Fiction of Cristina Peri Rossi.” Americas Review 18, nos. 3–4 (fall–winter 1990): 218–26.
In the following essay, Schmidt explores Peri Rossi's satiric treatment of exile in “La tarde del dinosaurio” and “La influencia de Edgar Allan Poe en la poesía de Raimuno Arias.”
Cristina Peri Rossi's work was already well-known in her native Uruguay when she went into exile in Spain in 1972. Her years in exile have been highly productive. In addition to literary translations and journalistic writing, she has published four volumes of poetry, five collections of short stories and two novels. If we were to single out a common thematic thread unifying her works before and after exile, it could be her criticism of oppressive social structures. CPR explains the sense of continuity in her writings: “Escribo contra la realidad. Empecé a hacerlo...
This section contains 3,737 words (approx. 13 pages at 300 words per page) |