This section contains 13,941 words (approx. 47 pages at 300 words per page) |
SOURCE: Badley, Linda. “Clive Barker Writing (from) the Body.” In Writing Horror and the Body: The Fiction of Stephen King, Clive Barker, and Anne Rice, pp. 73-104. Westport, CT: Greenwood Press, 1996.
In the following excerpt, Badley applies contemporary cultural theory, including feminist theory, to an analysis of representations of women in Barker's fiction.
With Books of Blood, an obscure playwright and illustrator named Clive Barker launched the “post-King era of horror fiction,” as William Gibson has called it (“Introduction” xv). “You read him with book in one hand and an airsick bag in the other,” King joked in 1986, adding “That man is not fooling around” (qtd. in Kanfer 83). Perhaps more importantly, Barker was as intellectual and politically subversive as King was not.
Barker challenged the modern horror genre as King had exemplified and defined it. “A lot of horror is written to reassure people the values they bring...
This section contains 13,941 words (approx. 47 pages at 300 words per page) |