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SOURCE: Levenson, J. C. “Christopher Pearse Cranch: The Case History of a Minor Artist in America.” American Literature 21, no. 4 (January 1950): 415-26.
In the following essay, Levenson suggests that Cranch's indolence resigned him to a career of mediocrity as a writer and an artist.
A great literature is more than the sum of a number of great writers. … The continuity of a literature is essential to its greatness: it is very largely the function of secondary writers to preserve this continuity, and to provide a body of writing which is not necessarily read by posterity, but which plays a great part in forming the link between those writers who continue to be read.
—T. S. Eliot.
Christopher Pearse Cranch (1813-1892) is mentioned today in a number of different contexts ranging from the Hudson River School of painters to the American expatriate colony of Italy, but he is most interesting...
This section contains 4,475 words (approx. 15 pages at 300 words per page) |