This section contains 7,907 words (approx. 27 pages at 300 words per page) |
SOURCE: Friedman, Ellen G. “‘Utterly Other Discourse’: The Anitcanon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose.” Modern Fiction Studies 34, no. 3 (autumn 1988): 353-70.
In the following essay, Friedman examines the narrative strategies of a variety of experimental women writers—including Dorothy Richardson, Virginia Woolf, Gertrude Stein, and Brooke-Rose—asserting that these authors utilize feminine aesthetics to subvert dominant patriarchal forms of conventional narrative. Friedman observes that, in Amalgamemnon, Brooke-Rose “offers a deconstruction of the legacy of patriarchal culture.”
In pre-twentieth century women's fiction, the strains in the relationship between women and the dominant culture were represented through covert modes. The strategies of women writers included subtexts, minor characters, and patterns of imagery, which to various degrees undermined the traditional scripts for appropriate behavior in fiction and life that their surface plots and major characters seemed to confirm.1 Through her heroines, Jane Austen, for instance, maintains a...
This section contains 7,907 words (approx. 27 pages at 300 words per page) |