SOURCE: "Now You See Him, Now You Don't, Now You Do Again: The Evolution of Raymond Carver's Minimalism," in Critique, Vol. XXX, No. 4, Summer, 1989, pp. 239-51.

In the following essay, Meyer, a professor at Vanderbilt University, traces Carver's use of minimalist style throughout his career, arguing that Carver returns to his previous, more expansive style in Cathedral.

At this point in his career, there can be little doubt that Raymond Carver is "as successful as a short story writer in America can be,"¹ that "he is becoming an Influence."² Still, despite (or perhaps because of) this position, Carver remains a controversial figure. Much of the debate about Carver's merits centers around a similar debate about minimalism, a style that a few years ago was very hot and very hotly criticized, and that, now that it is cooling off, is under even more fervent attack. Much of the controversy...