Raymond Carver | Criticism

This literature criticism consists of approximately 13 pages of analysis & critique of Raymond Carver.

Raymond Carver | Criticism

This literature criticism consists of approximately 13 pages of analysis & critique of Raymond Carver.
This section contains 3,856 words
(approx. 13 pages at 300 words per page)
Buy the Critical Essay by Michael Wm. Gearhart

SOURCE: "Breaking the Ties That Bind: Inarticulation in the Fiction of Raymond Carver," in Studies in Short Fiction, Vol. 26, No. 4, Fall, 1989, pp. 439-46.

In the essay below, Gearhart traces the differences between the original story, "The Bath," and Carver's revision of the same story, "A Small, Good Thing."

Raymond Carver has been widely acknowledged as a short story writer whose glimpses into the lives of "everyday" people have made him a master of the genre. The typical Carver character is a down-and-out blue-collar type familiar with the trauma of marital infidelity, alcoholism, and financial hardship. As critics have thoroughly noted, these characters share an inability to articulate their frustrations in words which causes their social, moral, and spiritual paralysis: "each new moment can bewilder a character, freeze him or her into a confusion of inaction. Carver … is famous for the passivity with which his characters confront, or fail...

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This section contains 3,856 words
(approx. 13 pages at 300 words per page)
Buy the Critical Essay by Michael Wm. Gearhart
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Critical Essay by Michael Wm. Gearhart from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.