It was shortly after seeing a performance of Les Possédés during its provincial tour that Camus was killed. Those close to him believe that at this time he was just emerging from his long and difficult period of sterility and reappraisal—he is known to have been working hard on a novel, Le Premier Homme, for example. As far as the theatre is concerned, he confided to Germaine Brée in 1959 that he was toying with the idea of a play linking Don Juan-Sganarelle and Faust-Mephistopheles which he regarded as 'two aspects of the same dichotomy'. But it seems certain that no fragment of this or any other late work for the theatre by Camus exists…. Whether, once the Algerian War was over, and with his own theatre to work in amid the very different theatrical atmosphere of the 1960s, Camus would have gone on to...