I must say now that, on finishing [Italian Folktales] (a genuine labour of love, and also a pointer to Calvino's literary aims, which have more to do with the recovery of the folktale than the innovations for which his novels have been praised), I went straight back to Grimm and read it through. Being occasionally bored by the Italian stories, I wondered if the fault was in myself, but I found I was never bored by the Teutonic tales and must conclude that they are superior.

Certainly there is nothing in Calvino's volume which would inspire a new Disney to the expenditure of great ingenuity and much money. The Italian tales seem to have passed already through the alembic of sophisticated minds; they are literature in a way in which the Grimm tales are not. There is some brutality, but nothing on the scale of the German stories...