This section contains 698 words (approx. 3 pages at 300 words per page) |
SOURCE: A review of Delito por bailar el chachachá in World Literature Today, Vol. 70, Autumn, 1996, pp. 921-22.
In the following review, Ferreira takes issue with Cabrera Infante for his numerous attacks on the Castro regime, which Ferreira says belong in a memoir rather than a collection of stories.
It is no secret to any reader of the works of Guillermo Cabrera Infante that, although he has lived in exile in London since the 1960s, the center of this Cuban writer's fictional universe has always been Havana. In fact, his masterpiece, Tres tristes tigres (1967), is a vast exploration of that city's once-upon-a-time intense bohemian nightlife. But whereas in Tres tristes tigres memory and nostalgia play a major role in the portrayal of Cuba's capital in the 1950s, a bittersweet tone permeates Cabrera Infante's latest sentimental journey to his homeland, Delito por bailar el chachachá.
The book is a collection...
This section contains 698 words (approx. 3 pages at 300 words per page) |