SOURCE: “Skating on Paper,” in Georgia Review, Vol. XLVII, No. 3, Fall, 1993, pp. 578–95.

In the following excerpt, Kitchen offers a mixed assessment of A Dream of Mind.

“Poetry in motion!”—the announcer bursts forth with the old cliché as soon as the skaters hit the ice. I am instantly on the defensive. But, resist as I will, the skaters win. Three hours of Brian Boitano, of Mark Mitchell or Lu Chen, of the dancers Klimova and Ponomarenko, the Duchesnays, Torvill and Dean, three hours of the electric Viktor Petrenko and I am convinced that I know the source of the cliché and that, as is often the case, the source resides in what is most true.

The spotlight catches one figure dressed completely in black, including a hooded mask. Faceless, he is all body—tall and fluid. Through the sound system: the odd beat of a drum, an occasional...