Dancing at Lughnasa | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Dancing at Lughnasa.

Dancing at Lughnasa | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Dancing at Lughnasa.
This section contains 435 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Jack Kroll

SOURCE: "The Belles of Balleybeg," in Newsweek, Vol. CXVIII, No. 19, 4 November 1991, p. 79.

In October 1991, the entire Abbey Theatre production arrived in New York from Dublin, and Dancing at Lughnasa opened on Broadway. In the following review of that staging. Kroll praises every aspect of the play, declaring it "as powerful and haunting as anything [Friel has ever written. "]

Who else but an Irish dramatist would come along to remind Broadway—musical-drenched, play-starved Broadway—what a real play is? The Irish have practically been custodians of the English-speaking stage for 100 years: Wilde, Shaw, Synge, Yeats, Beckett. Brian Friel, 62, is the true inheritor of that tradition, and Dancing at Lugh nasa is as powerful and haunting as anything he's ever written. In a spasm of sanity, Actors' Equity has allowed the entire Abbey Theatre production to come over from Dublin. The emotion generated by Friel's writing, the superb company, the...

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This section contains 435 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Jack Kroll
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Critical Review by Jack Kroll from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.