SOURCE: “The Interlace Structure of Beowulf,” in University of Toronto Quarterly, Vol. XXXVII, No. 1, October, 1967, pp. 1-17.

In the following essay, Leyerle argues that the structure of Beowulf is analogous to the patterns of interlace decorative art common in Anglo-Saxon art of the seventh and eighth centuries. When the likelihood of this parallel is accepted, Leyerle states, the function of otherwise confusing episodes of the poem becomes apparent.

In the time since Norman Garmonsway [On February 28, 1967, Norman Garmonsway, Visiting Professor of English at University College in the University of Toronto, died suddenly. This paper, in a slightly different form, was read on March 30 in West Hall of the College in place of a lecture on Canute that Professor Garmonsway was to have delivered on that day.] died I have reflected about what I could say that would not embarrass the spirit of the man I wish to honour...