This section contains 4,759 words (approx. 16 pages at 300 words per page) |
SOURCE: "Narrative Technique in Beowulf," in Neophilologus, Vol. XLVII, No. 1, 1963, pp. 50-61.
In the excerpt that follows, Culbert examines the points of view used and the excitement generated in each of Beowulf's three battles, and concludes that Beowulf's last two battles—with Grendel's mother and with the dragon, respectively—are relatively anticlimactic.
In recent years, attention has been called to the artistry exhibited by the Beowulf-poet in his depiction of Beowulf's three fights. Through skillful use of various narrative techniques, he created interest in the accounts of the hero's combats with Grendel, Grendel's dam, and the dragon. Lumiansky, for instance, has described the use of a dramatic audience as a means of enhancing the interest of the combats. And Moorman has stated that the poet used various points of view to maintain interest in the fights. The present paper will explore further certain narrative techniques employed by...
This section contains 4,759 words (approx. 16 pages at 300 words per page) |