SOURCE: "Beloved: A Spiritual," in Callaloo, Vol. 13, No. 3, Summer, 1990, pp. 516-25.

In the essay below, Holloway examines myth, historical revisionism, voice, and remembrance in Beloved on both thematic and structural levels.

       I have to cast my lot with those
       who age after age, peversely,
       with no extraordinary power,
       reconstitute the world.
 
              —Adrienne Rich, "Natural Resources"

The literary and linguistic devices which can facilitate the revision of the historical and cultural texts of black women's experiences have perhaps their most sustained illustration in Toni Morrison's Beloved. Here, narrative structures have been consciously manipulated through a complicated interplay between the implicit orature of recovered and (re)membered events and the explicit structures of literature. The reclamation and revision of history function as both a thematic emphasis and textual methodology. The persistence of this revision is the significant strategic device of the narrative structures of the novel.

Myth dominates the text...