This section contains 8,661 words (approx. 29 pages at 300 words per page) |
SOURCE: Henke, Robert. “The Winter's Tale and Guarinian Dramaturgy.” Comparative Drama 27, no. 3 (fall 1993): 197-217.
In the essay below, Henke examines the relationship between Guarini's tragicomic theory and that exhibited by William Shakespeare in his dramas. Henke discusses Guarini's theoretical writings, including Il verato, Il verato secondo, and Compendio della poesia tragicomica.
Genre concepts significantly affect our understanding of Shakespeare's The Winter's Tale. The play not only repeatedly calls attention to itself as fiction, but its tripartite tragical-pastoral-comical arrangement focuses our attention on three important dramatic genres of the late sixteenth and early seventeenth centuries and the dialogic relationships between them. In Pericles, Shakespeare emphasizes the romance source by dramatizing John Gower and narrative itself, the radical of presentation most congenial to romance. “Romance” also aptly describes the story of The Winter's Tale: a more schematic, typological presentation of character than obtains in the tragedies, the (apparent) suspension of...
This section contains 8,661 words (approx. 29 pages at 300 words per page) |