SOURCE: Hartmann, Jr., Arnold. “Battista Guarini and Il Pastor Fido.” The Musical Quarterly 39, no. 3 (July 1953): 415-25.

In the essay below, Hartmann speculates about the incidental music that was likely used during performances of the pastorale Il Pastor Fido.

The history of literature in all countries provides examples of the chasm between the historical importance of a work and its neglect by ensuing generations. We are told of the great significance of a given work, mentioned in all the accounts of the genre; yet it may be known at first hand only by a limited circle of scholars in the field. However regrettable this condition may seem to the student, it is unlikely that much can be done to change it. The public today is unimpressed by works that reflect the fashions of a past generation unless enough elements of timely interest survive to counteract the antiquated parts. Whether...