When I first ran through [Roland Barthes'] commentaries on [Racine's] tragedies, published on the occasion of a new edition of Racine, I did not take them very seriously. Somewhat baffled, and more scandalized than amused, I supposed them to be a piece of hackwork in the performance of which the writer had diverted himself, with his usual talent, by entering the realm of the venturesome and the preposterous. But when in 1963 these studies were collected in a volume with other writings [On Racine (Sur Racine)] which threw light on them, and when in 1964 another volume offered further details of doctrine and method, I realized my error. Without any doubt this was a coherent undertaking the importance of which was not to be underestimated; the reception of it by a certain segment of the public made that perfectly clear. Indeed, it is one of the most significant examples in...