If a consistent theory of criticism emerges in [the] discontinuity of perspectives offered by Barthes … throughout his career, it very probably depends on what might be coined a zero-degree hermeneutics comparable to the concept of zero-degree style which he originally proposed almost three decades ago. As he advocates for literary form, his critical theory seems to be suspended in interspace between the methodologies which dominate it, but without really bringing these into harmony with each other. The critical act verges on each of them, but short of fusion and in a pattern of temptation and quick abandonment which actually seems to have accelerated throughout his career. In Roland Barthes by Roland Barthes, for example, he described his rejection of orthodox belief ("doxa") as a mode of "cruising," and in his last book, Camera Lucida, published in 1980, he finally turned to photography for a vision of permanence which eluded...