The continuing battle which Baldwin has waged with the spirit of Richard Wright, a battle which started in 1949 with the publication of his essay, 'Everybody's Protest Novel', is symptomatic of that tension which he was later to see, more sympathetically, in [Langston] Hughes's poetry. As evidence of this tension within his own work on the one hand he admits to a determinism not essentially different from Wright's and admits that 'we cannot escape our origins, however hard we try' while on the other he generalises from this and seeks to find in the Negro's experience an archetype for the human condition…. It is Baldwin's ability to maintain this distinction in his novels which raises his work above the naïve absolutism of Wright's. This does not imply that as a novelist he abandons faith in the validity of his own experience but that this experience is seen in...