SOURCE: Potter, Lois. Review of As You Like It. Shakespeare Quarterly 50, no. 1 (spring 1999): 76-7.

In the following review of the 1999 Globe Theatre staging of As You Like It directed by Lucy Bailey, Potter praises Anastasia Hille's unconventional Rosalind, but contends that the production as a whole took few interpretive risks.

Given the focus on prostitution in Dekker and Middleton's The Honest Whore and Middleton's A Mad World, My Masters, the obvious Shakespearean companion piece for Merchant would have been Measure for Measure. As You Like It was probably selected for box-office reasons. Though it offered fewer ideological risks than Merchant, it was even riskier for the audience, because director Lucy Bailey opted for a promenade-type performance with actors in the yard as well as on the stage. Spectators needed streetwise survival skills to leap backward on a surface littered with discarded soda cans, as the wicked Duke's followers...