This section contains 12,512 words (approx. 42 pages at 300 words per page) |
SOURCE: Alfar, Cristina León. “‘I kiss his conqu'ring hand’: Cleopatra and the ‘Erotics’ of Imperial Domination.” In Fantasies of Female Evil: The Dynamics of Gender and Power in Shakespearean Tragedy, pp. 136-59. Newark: University of Delaware Press, 2003.
In the following essay, Alfar reads Antony and Cleopatra as a critique of female modes of power, with particular emphasis on Rome's imperial, masculinist domination. Cleopatra exploits the erotic desire inspired by her body, the critic suggests, using it for political purposes as well as personal interests, even though she understands that regardless of her strategies, she is relatively powerless against Roman aggression. Alfar also compares Cleopatra with female characters in other Shakespearean tragedies: Juliet, Lady Macbeth, and Goneril and Regan in King Lear.
The dynamics of gender and power staged in King Lear and Macbeth are intricately linked to women's participation in competitions for power associated with masculinity. According...
This section contains 12,512 words (approx. 42 pages at 300 words per page) |